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Between and Mortarboard

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5 UMMA Objects
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A country scene with swirls of color all around. There are two distant reddish-colored buildings ibehind a fence that runs along the left side of the dirt path, which recedes to a vanishing point at the center of the work. Trees line the right-hand side of the dirth path. Two people in the lower right corner appear to be working; one stands straight, while the other bends over.
Alfred Sisley (French (culture or style))
Le Givre a Veneux
1880
2014/1.618
This painting features a landscape consisting of a grassy meadow with leafy green trees, accompanied by a blue sky punctuated by clouds.  Wooded areas surround the verdant clearing where two women, one standing and the other sitting, are located.  Across from the figures, to their right, is a brown cow.  The recto of the painting is signed "Corot" on the lower left.
Untitled (Landscape)
19th century
Bequest from the Estate and Trust of Elise Reeder Olton
2014/1.612
This photograph depicts a white horse standing by a road in a rural landscape.
Alen MacWeeney
White Horse, Donegal, Ireland
1965 – 1966
Gift of Carl W. Melcher
1981/2.168.1
This is a print of an African American man in a mule-drawn wooden cart. There is a yew tree in the cart, behind the man. The man wears a white shirt with the sleeves rolled up, dark pants, and a cap. The road is empty, with fields surrounding the road. There is a wooden church in the background with a tall cross in the ground beside the church.
Thomas Hart Benton (American (North American))
Lonesome Road
1938
Gift of Suzanne Beutler
1980/2.174
In this painting there are six buildings surrounded by green grass and tall tress without leaves. On the right side of the painting, a green and brown water tank rises out of and stands above the buildings at the height of a tree house. A brown fence separates the water tank from the buildings behind it.
Henry Lee McFee (American (North American))
Buildings with Water Tank (Bellevue Plantation, Virginia)
1930 – 1931
Gift of The Ann Arbor Art Association, in memory of Ruby S. Churchhill
1972/2.21
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